Renaissance in Italy, Volumes 1 and 2

the Holy See
once more into a position of prominence. It was more powerful as an
Italian State now, through the support of Spain and the extinction of
national independence, than at any previous period of history. In
Catholic Christendom its prestige was immensely augmented by the Council
of Trent. At the same epoch, the foreigners who dominated Italy, threw
themselves with the enthusiasm of fanaticism into this Revival. Spain
furnished Rome with the militia of the Jesuits and with the engines of
the Inquisition. The Papacy was thus able to secure successes in Italy
which were elsewhere only partially achieved. It followed that the
moral, social, political and intellectual activities of the Italians at
this period were controlled and colored by influences hostile to the
earlier Renaissance. Italy underwent a metamorphosis, prescribed by the
Papacy and enforced by Spanish rule. In the process of this
transformation the people submitted to rigid ecclesiastical discipline,
and adopted, without assimilating, the customs of a foreign troop of
despots.

At first sight we may wonder that the race which had shone with such
incomparable luster from Dante to Ariosto, and which had done so much to
create modern culture for Europe, should so quietly have accepted a
retrogressive revolution. Yet, when we look closer, this is not
surprising. The Italians were fatigued with creation, bewildered by the
complexity of their discoveries, uncertain as to the immediate course
before them. The Renaissance had been mainly the work of a select few.
It had transformed society without permeating the masses of the people.
Was it strange that the majority should reflect that, after all, the old
ways are the best? This led them to approve the Catholic Revival. Was it
strange that, after long distracting aimless wars, they should hail
peace at any price? This lent popular sanction to the Spanish hegemony,
in spite of its obvious drawbacks.

These may be reckoned the main conditions which gave a peculiar but no

John Addington Symonds (October 5, 1840 - April 19, 1893) was an English poet and literary critic. He was an early advocate of the validity of male love which included for him pederastic as well as egalitarian relationships, and which he would refer to as lamour de limpossible.

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